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Band Spotlight: Interview with Lou From Alpine

Alpine Yuck

When Alpine released their first album, A is for Alpine in 2012, they really burst onto the music scene in a flash of bright, shimmering pop. Now that they’ve come back with their second album, Yuck, vocalist Lou reveals that their performance and writing style has evolved over the years, bringing a new approach creatively to the same older themes that they loved exploring, like figuring life out. I got to chat with Lou about the new album and the band’s adventures touring in America, and it seems like this album is just as fun as the first…


E: Describe your new album in five words.

L: RnB, Yuck, Assured, Heartache, Courage.

E: What were the best ideas that came out of brainstorming for Yuck

L: We finished touring end of 2013, and then we had a three month break where we went back into the studio. We knew exactly what was going on in each other’s lives, so a lot of the time in terms of what was inspiring lyrically, it was about being in your late 20s, in comparison to A is for Alpine, when we were in our early 20s. There was always kind of hope that when you get older, all these awkward feelings just kind of figure themselves out.

We noticed that from being about 27 years old, it’s sort of accepting that life is always hard and unexpected, but looking at it in a funny way. And that’s why we called the album Yuck because it’s kind of this ratty, just “Yuck!”, but it’s also kind of amazing because the more you face these challenges in life, the more you figure out about yourself, which is a really beautiful thing. I like to think of this album as a stage of our lives which is like Alpine in the truer sense.

E: What do you think you and Phoebe’s greatest strength as a team of vocalists is?

L: In terms of the writing of our vocals, I guess it’s funny – when we first started I had a very different style of singing, and now sometimes when we listen back to tracks, we can’t even tell who’s singing what! And because we’ve been together for so long, performing and always warming up, you start to create a unison sound. We’re very inspired by Kate Bush – she uses her vocal range in really different ways, and we try to push different sounds.

E: Do you prefer touring or writing?

L: They’re both so different – writing, it’s such a different part of your brain. It’s like you’re writing journal entries and trying to create a piece of artwork, and then when you’re touring it’s like bootcamp, you’re travelling around, you’re never at home, it’s quite exposing when you’re performing, and sometimes there are days where you might want to go to a friend’s party but you’re feeling really sad, and you’re like “I might just stay at home”. You can hibernate. But sometimes when you’re doing a show you feel like that but you have to do a show.

Emotionally, it’s way more challenging, but then the writing process is more therapeutic. The touring is still fun! But it’s such a different part – very yin and yang.

E: What’s your number one ‘yuck’ moment of all time?

L: I was having a long distance relationship with someone – and my reaction to anyone being in a long distance relationship was ‘yuck’, but then I ended up being in one! That was kind of unexpected. Just trying to make a long distance relationship work, and then when it ended, that was the yuckest experience. But obviously it was also the most beautiful because it was the first time I really ever felt in love.


Yuck is out now, and Alpine are touring all over Australia (including Splendour in the Grass)! They’ve got a super fun sound, so be sure to check them out.

By Erin Rooney

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Producer Spotlight: Petals by Basenji (Ft. Scenic)

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Basenji is definitely a quality over quantity kind of guy. He’s teased us with his release of “Heirloom” last year (one of our recommended songs for a ‘1 minute dance party’) and a delightful Sable remix, but after about a nine month wait he has finally released another original track, and good lord is it a beauty.

“Petals” features the ethereal vocals of Adam Tucker from Perth band Scenic and Basenji’s production, which is so careful and composed that it’s like a breath of spring in winter – you can drift off in its simple prettiness. But don’t take my word for, enchant your ears right now:

Heirloom” is Basenji’s first release after signing with Future Classic last year, and you can hear how polished his tracks have been since, which is why we just can’t wait for the release of his upcoming EP. Bring it on!

By Erin Rooney

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Song of the Week: No One Ft. Thelma Plum by Golden Feature

Goldenfeatures

Our top track this week comes from Sydney based newbie Golden Features. Breaking onto the scene early last year, Golden Features brings a fresh sound to the Australian dance music scene.

This song is is chill enough to be relaxing, but catchy enough to make you want to hit the dance floor, so basically it is perfect for all occasions and mood swings. Additionally, Thelma Plum’s killer vocals are irresistible and blend perfectly with the interesting and sophisticated production.

Check it out:

If you like what you hear, Golden Features is releasing his new EP- XXIV June 19th and touring nationally in July, so be sure to add these dates to your calendar!

By Sophie Henry

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Gig Review: 10 Years Of Future Classic Feat. Flume + Flight Facilities + Seekae + Hayden James + Touch Sensitive

Future-Classic-Vivid

With some of the biggest names in Australian electronic music signed to their label, Future Classic have built quite the empire for themselves over the past decade. As their name suggests, they’ve been pretty strategic with the artists they’ve recruited – they’ve got a signature sound with a large amount of cred and influence on the Australian music scene. So really, they would expect no less than to host their 10th anniversary celebration on the peninsula of the Sydney Opera House with evening views of Vivid lights in the harbour and the Sydney Harbour Bridge.

The Friday night show kicked off super early for the day job workers of Sydney, with Touch Sensitive on stage at 4:10pm. It’s a shame that more people couldn’t make it out to see the Sydney producer rock out on the bass to hits like Teen Idols and Pizza Guy. I’ve said it once, and I’ll say it again, producers that play a ‘real instrument’ on stage along to their electronic tracks have a sort of performance X-factor that makes them stand out.

Then Hayden James hit the decks and showed off his subtle rhythm pad hits and moulded the crowd with his music. They danced, they swayed, they jumped to the beats he put out – it was almost as if everyone forgot where they were for a second and were just taken away. He even got Touch Sensitive back on stage for some smooth bass beats.

Seekae were probably the most unusual sounding artists of the night, with strange rhythmic drum beats and atmospheric sounds that floated across the harbour. It was a nice break to warm up for the headlining acts to come, providing a chilled vibe at the event.

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Flight Facilities feat. Owl Eyes on vocals

There was an immediate atmosphere change when Flight Facilities blasted onto the stage with an encompassing set. True to form, they viewed their performance as an aeroplane flight, from lift off to landing with voice overs to match. Owl Eyes provided shimmering vocals, and there were even guest appearances from The Presets‘ Julian on keys and Kurt Kristen on vocals for “Sunshine”. But one of their most exciting surprises on the night was a cover of “Another World” by The Chemical Brothers which fit so seamlessly into their set that it easily could have been written by them.

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Flume rocking the tropical look on stage.

Finally, Flume, the leader of the Future Classic pack, graced the stage, and quite frankly it was like being in the presence of music royalty. Since 2012 when he first dropped his iconic self-titled album, he has been incredibly influential in bringing Australian electronic acts to the international stage, so seeing him on a home stage is few and far between and a very special experience.

Highlights included hearing a new track from his What So Not project (with such a dirty beat that I for one can’t wait till he drops the recorded version of this), a guest performance from Collarbones‘ Marcus Whale in a new track, and hearing Miike Snow‘s Andrew Wyatt perform their latest track together.

But it was clear that Flume is one of the greats not just because of his songwriting and producing but for his ability to work a crowd – he had people dancing from start to finish, with crazed fans shouting out “Flume is the king!” He ended with his remix tribute to Lorde’s “Tennis Court” and it almost seemed like an anti-climax because with so many hits he could have kept the party going long afterwards.

The night was an important celebration of Future Classic’s influence on electronic music in Australia – but was also just a whole lot of fun! However, it did bring to light the lack of female producers signed by the label – over the two nights there was only one female act (George Maple) which is such a shame with so much talent up and coming. Nonetheless, a great night and an incredible setting for such influential music talent in Australia.

By Erin Rooney

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Music Video Highlights: Some Minds by Flume

Flume

With his unsurprisingly kick ass track ‘Some Minds’ debuting today, Flume has hit another home run for Australian music with this shady tune featuring vocals and lyrics by Miike Snow‘s Andrew Wyatt.

More importantly though, Flume has released this epic music video for ‘Some Minds’ featuring three of our favourite things: Sydney, visually pleasing content and Flume (of course). This spectacle of stunning Opera house visuals and chaotic computer edited dance routines is on point. Director Clemens Habicht has brought his A Game and we are very impressed, giving it the title of Music Video of the Week!

Check it out here and let us know what you think!

By Sophie Henry